Free UK Delivery for orders over £50

Clarice Cliff

Posted by Deco London on

Sunray Vase 1929-1930 by Clarice Cliff, on exhibition in the V&A London
 
Clarice Cliff was born on January 20th 1899, in Tunstall, Stoke-on-Trent. She began work at the age of 13 as a gilder in the Staffordshire Potteries, adding gold to traditional ware. Clarice later began studying art and sculpture in the evenings, to develop her skills. 


In 1924, at the age of 25, Clarice undertook an apprenticeship in the AJ Wilkinson's pottery factory in Staffordshire. By 1927, Clarice had been given her own studio, in recognition of her talent, where she began adding freehand patterns to defective 'gloss' pottery, covering imperfections with coloured triangles. This style she called 'Bizarre' and it was immediately snapped up by the company's stockists.

Due to the popularity of the Bizarre range, which now had its own stamp 'Hand Painted Bizarre by Clarice Cliff', Gladys Scarlett was brought in to help Clarice paint the designs.
 

Original 'Bizarre' Ware - Coffee Pot and cups set

Clarice's designs took on a more 'moderne' angular and geometric influence from 1929, in line with, what was later termed, the 'Art Deco' trend. Clarice's 'Crocus' pattern, launched in 1928, was so successful that by 1930, a team of twenty women were employed to paint the design to keep up with demand. Clarice was made Art Director of Newport Pottery and A J Wilkinson in the same year.

During WWII, production of Clarice's brightly coloured pots ceased when manufacturing restrictions meant only plain white 'Utility' ware was allowed to be produced.  After the war, tastes had changed to a more conservative, formal ware; the heyday of Clarice's creative work was over. 

The factory continued to produce pottery bearing Clarice's name until 1964.
 

A selection of Clarice Cliff pottery on display in the V&A Museum London
 

In 1972, the first Clarice Cliff exhibition was held in Brighton, England, but sadly Clarice did not live to see the revival of interest in her work, as she died suddenly in the October of 1972.


'Honolulu' Teaset by Clarice Cliff, on display at the Clarice Cliff Museum

Clarice enjoyed unparalleled success and fame for a woman in the 1930s and she is remembered today as a pioneer and major artist of her era.  Her work is highly sought after and collectable, with rare pieces attracting very high prices at auction.
1920s 1920s fashion 1930s art art deco Bizarre Clarice Cliff deco london history Honolulu jazz age luxury social history Sunday Vase V&A vintage style

← Older Post Newer Post →

Deco Diaries

RSS
Tags
1910s 1920s 1920s fashion 1920s toys 1930s 1930s lidos 43 club Adeline Kent Annette Kellerman art art deco art deco architecture bass museum Bentley Wood Sussex beverly nichol Bizarre bright young things british summer brooklands cabaret cadillac cafe de paris cecil beaton celebrity chad valley christmas Christopher Tunnard clare hollingworth Clarice Cliff cole porter Coty crash dean street deco london dismal desmond Donnell Garden edward ernest exercise fashion designer functionalism Gabriel Guevrekian garden design gardens Gargoyle club gerrard street gossip great depression harem pants history Honolulu hornby trains Hutch irving fisher Jardin de la villa Noailles jazz age Jean Patou John Rhodes Cobb Joy keep fit kidney shaped swimming pool land speed record Leslie Hutchinson london louise Brooks luxury Marquis Sommi matisse miami Mien Rhys Millicent Garett Fawcett motor racing Mr Straw My Portrait napier-railton National Trust norman rockwell Nottingham observer palace parlophone parties paul poiret perfume photography piano plymouth hotel railton special ready-to-wear refugees santa claus seaside snakes and ladders social history socialites soho Sonoma California Sophia Duleep Singh south beach sport sporting fashion sportswear stock exchange strong women summer Sunday Vase swimsuit Tabac Blond Tamara de lempicka telegraph The Coterie Thomas Church thomas nash treadmill turban V&A vintage style wall street war correspondent women's suffrage WWII